Shadowed Dreams: Women's Poetry of the Harlem Renaissance (Multi-Ethnic Literatures of the Americas (MELA))

Great poems by writers who are not readily available in anthologies. I admire the editor of this collection who brought their work to my attention. It takes a lot to understand what a woman living in America pre- civil right movements feels but this is a mirror to this time. What genuinely brilliant voices.

Anyone looking for a great book of African American Women poets should get this book. The history, the life detailed in it will melt your heart.

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In "Shadowed Dreams: Women's Poetry of the Harlem Renaissance," editor Maureen Honey collects a compelling body of texts from one of the most important literary currents in African-American history. Honey notes that these poems span the years 1918 to 1931. Each poem is accompanied with its original publication data.Represented in this anthology are such important African-American women authors as Georgia Douglas Johnson, Alice Dunbar-Nelson, Angelina Weld Grimke, and Helene Johnson. In addition, there appear many authors whose names may even be unknown to specialists in the field of Black women's literature: Esther Popel, Marjorie Marshall, Isabel Neill, and more. Where data is available, Honey provides brief author bios at the end of the book. She also contributes a substantial introduction.The poems are grouped into four sections: "Protest," "Heritage," "Love and Passion," and "Nature." I must admit, I didn't particularly care for this breakdown. Because the works of individual poets are scattered among two or more sections, I think this editorial strategy dilutes the possible impact of seeing a larger sampling of a single poet's work in one place. Also, the headings seem to impose a particular, limited reading upon each piece.Still, this is an impressive anthology. The poems range from formal constructions to free verse. Highlights include Georgia Douglass Johnson's passionate pieces "The Heart of a Woman" and "I Want to Die While You Love Me," Dorothea Matthew's solemn "The Lynching," Anita Scott Coleman's sentimental "Black Baby," and Angelina Weld Grimke's haiku-like "Dawn." Particularly impressive are the technical proficiency and linguistic richness of Helene Johnson's poems. "Shadowed Dreams" is an essential volume for those interested in United States literature of the 1920s, African-American studies, and women's studies.

This anthology answers the question, who were the female poets of the Harlem Renaissance era? Also, What were they writing? This book printed duirng the 90's successfully answers and is still the definitive book on the subject of female poets of the Harlem Renaissance era. From Angelina Weld Grimke, Helene Johnson to Georgia Douglas Johnson's famous poem, Heart of a Woman, to some of the poets who are not well known, such as Mary Jenness and Ruth Dixon, this book explores the themes of the notable and less notable in poetry. This book is divided into three sections, Protest, Heritage and Love & Passion. This book gives a wonderful taste of poetry with little or no commentary. This is a must read and must have for anyone who has ever contemplated the question, who were the female writers of the period and what did they write? This will answer sufficiently that question or will tease the tongue for more about these poetesses of the era.