Unclaimed Experience: Trauma, Narrative and History

From an academic perspective this book was very enlightening. It compelled me to look at trauma through an ethical and historical lens.

Although the book is written with a fairly academic narrative, the theory put forward is profound. If one has ever wondered why it is that an individual who is traumatized mysteriously finds themselves traumatized again in life (different time, different circumstances), this book is for them. The phrase "history of trauma" is not a chronology of how we learned of the subject. Instead, it refers to how the "history" of a traumatic event within a person's life remains that person's "history" until it is "claimed." This book was referred to me by a professor during my UCLA journey and to this day, I think back to how it expanded my mind on trauma. I'm in the process of finishing my own book (Speaking Truths, fiction, released April 2010) wherein the prtoagonist must resolve his own trauma. There is no doubt this book contributed significantly to how I outlined my character's journey.

While I find the read interesting and great at presenting otherwise unthought of ideas, it is not to my taste. However, the book came after about two weeks, exterior looks new, and has a few easily erasable pencil marks in it.

The best book on trauma in existence--brilliant theory anchored in a series of concrete, eloquent, insightfully demonstrative, illuminating and compelling literary analyses. Pathbreaking book, foundational for the field of Trauma Studies as well as literature and literary theory, in their relation to psychoanalysis on the one hand, and to philosophy on the other.

If you want to understand the state of trauma studies in their relation to the humanities, you absolutely must be familiar with Caruth's work. This book and her collection of edited essays were in large part responsible for the work on trauma within literature, film, and cultural studies since 1990.It is important to recognize that Caruth is neither a clinician nor a psychiatrist. She is working on analyzing written and filmed texts ranging from Freud's theories in "The Interpretation of Dreams," "Beyond the Pleasure Principle" and "Moses and Monotheism" to Paul de Man's post-structuralist literary theory to Alain Resnais's film "Hiroshima Mon Amour" to understand how these texts theorize trauma. She is interested in the discourse that has developed around trauma, the written record that affects how we--as literary scholars AND as psychologists, psychiatrists, and physicians--currently conceive of trauma.

The previous reviewer lists three psychiatrists/neuroscientists, Daniel Schacter, Joseph Ledoux, and Richard McNally, that are very important to trauma studies; however, his or her claim that Caruth "ignored" the work of these scientists is misleading and unfair.Her book was published in 1996, while the majority of these men's work on trauma appeared in the late 1990s and the 2000s. Schacter, who has been publishing longer that the other two, did have a book published in 1994 on memory. However, "trauma" does not even appear in the index. While the work of pschyiatrists and neuroscientists can illuminate other, more literarially-minded trauma theorists today, most of these sources were not available to Caruth.

Were it not for the outspoken protection of Shoshana Felman (founder of "trauma studies" in the Humanities) and Caruth's own clique-ish entente with Doctors Dori Laub and Bessel Van der Kolk (trauma experts of choice among Humanistic scholars), this book would have never come to light. The book has been widely and uncritically acclaimed by literary scholars, though anyone expecting to draw any insight from it would do better reading chapter 8 of Ruth Leys's "Trauma. A Genealogy".The book blatantly misquotes Freud and Lacan for the sake of her own argumentative convenience. For example, her manipulation of the text of Freud's "Moses and Monotheism" in chapter 3 is plain ludicrous. Furthermore, it ignores the extensive body of work undertaken by psychiatrists and neuroscientists such as Daniel Schacter, Joseph Ledoux, and Richard McNally. There is not a iota in medical evidence that supports Prof. Caruth's claims, yet this book has earned her a tenured teaching position at Emory University.The book is founded on Bessel van der Kolk's claim that the traumatic event, because of its unordinary emotional intensity, fails to register itself in the cerebral cortex but is registered instead in the amygdala (this piece of psychiatric folklore has long been discredited by the statistical evidence that a vast majority of trauma victims remember consciously the traumatic event). According to Caruth, the trauma is experienced as such in its literal and veridical repetition in the psychological life of the survivor. That is to say that the trauma is a belated experience. Yet there are plenty of holes in this claim, starting with the confusion between a state of shock as such (which implies an inability to respond to an event, not to experience it). My main beef with this book is the author's quasimystical emphasis in the assumption that the survivor of trauma serves as a witness to the wound of those who have not survived, no matter how emotional it sounds, conceals many ethically problematic implications, not the least of which would be granting the charismatic status of trauma victim to the perpetrator of any lethal aggression.

This book is a collection of excelent essays by Cathy Caruth, but it is not clearly tagged as such. The problem is that some concepts, and sometimes entire phrases are repeated from chapter to chapter. This is specially true for the sections about Freud's notions about history and trauma, where the interpretation of Moses and Monotheism is read time and time again.

Fantastic read. I relied on this heavily throughout my degree.

This is a classic for the study of trauma in literatureThe author has a great styleI would highly recommend it.