📷 Elevate your craft with the GFX50S II — where large format power meets portable perfection.
The Fujifilm GFX50S II is a compact, weather-resistant large format camera featuring a 51.4MP medium format sensor, advanced 6.5-stop 5-axis in-body image stabilization, and a fast 250fps sensor readout. Designed for professional creatives, it offers 19 film simulation modes, precise autofocus with face and eye detection, and ergonomic controls in a lightweight 900g body, making it the ultimate gateway to stunning, high-resolution photography.
| Metering Methods | Exposure Metering: Average, Center-Weighted Average, Multi-Zone, Spot |
| Exposure Control | Manual |
| White Balance Settings | Auto |
| Self Timer | 1E+1, 2 |
| Screen Size | 3.2 Inches |
| Display Type | LCD |
| Dots Per Screen | 612 dpi |
| Touch Screen Type | Capacitive |
| Display Resolution Maximum | 2.4 MP |
| Has Color Screen | Yes |
| Memory Slots Available | 2 |
| Recording Capacity | 187 Minutes |
| Write Speed | fast |
| Flash Memory Speed Class | Class 10 or UHS Class 1 |
| Flash Memory UHS Speed Class | UHS-II |
| Flash Memory Video Speed Class | Class 10 |
| Compatible Mountings | Fujifilm X |
| Sensor Type | CMOS |
| Image stabilization | Dynamic |
| Maximum Aperture | 4.5 Millimeters |
| Expanded ISO Minimum | 130 |
| Photo Sensor Resolution | 51.4 MP |
| Photo Sensor Size | Medium Format (>35mm) |
| Maximum Shutter Speed | 4000 Seconds |
| Minimum Shutter Speed | 1/4000 Seconds |
| Form Factor | Compact |
| Special Feature | Lightweight |
| Color | Black |
| Item Weight | 900 Grams |
| Video Resolution | 1080p |
| Viewfinder | Electronic |
| Flash Modes | Auto, On, Off, Slow Synch, Rear Curtain Synch |
| Camera Flash | no flash |
| Skill Level | Professional |
| Specific Uses For Product | Photography and Videography |
| Compatible Devices | Camera |
| Continuous Shooting | 250 FPS |
| Aperture modes | Aperture Priority |
| Viewfinder Magnification | 0.77x |
| Audio Input | Built-In Microphone and External Microphone Input (Stereo) |
| Flash Sync Speed | 1/4000 seconds |
| Video Capture Format | MP4 |
| Expanded ISO Maximum | 204800 |
| Battery Weight | 80 Grams |
| Audio Output Type | internal |
| Battery Cell Type | Lithium Ion |
| Aspect Ratio | 4:3 |
| File Format | JPEG |
| Effective Still Resolution | 51.4 |
| JPEG Quality Level | Fine |
| Supported Image Format | JPEG, RAW |
| Maximum Image Size | 51.4 MP |
| Bit Depth | 14 Bit |
| Total Still Resolution | 51.4 MP |
| Maximum Focal Length | 70 Millimeters |
| Optical Zoom | 1 x |
| Lens Type | Wide Angle |
| Zoom | Optical Zoom |
| Camera Lens | 35 mm |
| Minimum Focal Length | 35 Millimeters |
| Real Angle Of View | 39.8 Degrees |
| Focal Length Description | 70 millimeters |
| Number of Diaphragm Blades | 9 |
| Lens Construction | Fujifilm G-Mount |
| Connectivity Technology | Bluetooth, Wi-Fi |
| Wireless Technology | Wi-fi |
| Video Output | HDMI |
| Total USB Ports | 1 |
| Digital-Still | Yes |
| Movie Mode | Yes |
| Image Capture Type | Stills & Video |
| Night vision | No |
| Auto Focus Technology | Contrast Detection Autofocus (CDAF) |
| Focus Features | Advanced Autofocus System |
| Autofocus Points | 117 |
| Focus Type | Auto Focus |
| Focus Mode | Single-Servo AF (AF-S) |
| Autofocus | Yes |
R**
Nothing compares
In the hands of a professional who knows how to use manual override when needed, this camera is a work of art. There are so many features not openly marketed. For one, rapid autofocus helps a LOT. It’s buried in the menu. RAW to JPEG and TIFF conversion IN CAMERA, with the new, stellar image processor. It’s truly possible to have finished images in the field with a card reader and an iPhone when needed. Prints look fantastic. Keep the sensor clean and you’re good. It’s the ultimate “artist camera”, for those of us who spend 99% of our time taking actual photos. My friend who is an agency model from Colombia, she was pleased with the JPEG output immediately, without a studio setup. That is UNHEARD OF. Use this camera for what it was meant for - to functionally eliminate a computer if you know what you’re doing…yes, it’s that good. Use it like you would with film and you will be good to go.I have taken this in a torrential downpour in Mexico City (zero issues with the 35-70mm) and it has survived 50 degrees Celsius with ease in the Mesquite, Nevada region. It’s a Toyota Land Cruiser in terms of build quality. Next will be the Magdalena River valley of Colombia - one of the most brutal climates on the planet. The only weakness is dust. All mirrorless cameras have this issue. Be careful, carry a sensor cleaning kit and enjoy it. Cameras this well-made almost never get produced at this price point.
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