Légère Reeds - Bass Clarinet Reed, Signature, Strength 2.00 (BCS2.00) - Premium Synthetic Woodwind Reed

We got the Légère Reeds Premium Synthetic Woodwind Reed, Signature Strength 3.00, for my daughter's bass clarinet, and it has been a game-changer for her. Having played the clarinet for three years and now in the 8th grade, she's found the synthetic reed to be far superior to the wooden reeds she used before. Here's why we're sticking with it:Durability is a massive plus. She's been using the same reed for over three months without any sign of wear or need for replacement. This is a big deal compared to the wooden reeds, which seemed to break all too easily and required frequent replacements.The synthetic reed's resilience to heat and its robust construction means it doesn't break easily - a quality very much appreciated. Moreover, my daughter has noticed a significant improvement in her playing: the clarinet doesn't squeak with this plastic reed as it did with wooden ones, leading to a smoother and more enjoyable playing experience.Considering she's heading into marching band next year, where the conditions can be more demanding, we believe the Légère synthetic reed will hold up much better. Its durability, combined with the high quality of sound and ease of use, makes it an ideal choice for any clarinet player looking for a reliable reed option. We plan to stock up on more of these synthetic reeds to support her continued musical journey. Highly recommended for its durability, quality, and the peace of mind it brings to both player and parent.

sons says its much better than a standard reed .

I have used synthetic reeds on my Selmer Bass Clarinet for years. Generally I used Fibrecell and they are fine quality. All synthetics are a little different, just like a cane reed, and you need to find one that fits. So, I decided to switch to the NEW Signature series. It responds like cane, is a little less vibrant than the Fibrecell and BARI. It works great on my Charles Bay. NOTE: these reeds run hard for me and I ordered a 2 (normally play a 3 or MH) and it was fine. Other variations of Legere have NOT worked for me but the SIGNATURE is a different animal.

I play a G tenor and a B-flat alto mini-sax (by Erik-the-Flutemaker and Juan Del Rio respectively).I swap out six different reeds for different sounds.A bass clarinet reed is the same shape and width as a tenor saxophone reed, but slightly shorter and a little thinner. It works well on either tenor or alto mini-saxophones.The bass clarinet reed produces a mellow, smooth sound, which is a nice change from the more edgy sax reed sounds. (Different reeds for different types of music).My collection of reeds is as follows:- Légère Studio Cut alto 1.5- Légère Studio Cut tenor 1.5 (my favorite)- Légère Sigature Bass Clarinet bass 1.5 (used on saxophone)- Rico Plasticover tenor 1.5 (natural cane sound, but feels like a 2.0. Played dry.)- Black Onyx tenor 1.5- Rico cane Tenor 1.5 (wet reeds, and reeds that can split or splinter, are my least favorite).Note that tenor reeds can also be used on alto mouthpieces to get a darker, fuller sound.My collection is all 1.5 reeds because I play a mini-sax or saxoflute, which require a light reed:- Key of G Tenor All-Terrain Saxophone by Eric-the-Flutemaker- Key of Bb Alto Del Rio Mini Sax by Juan Del RioThey both can use any of my six reeds.I also change ligatures for different sounds.

I have been playing on Legere reeds on my contra clarinets for a while, but for whatever reason I haven't tried them on my bass until recently (probably mostly because I was using up my existing supply of cane reeds- waste not, want not). My last few cane reeds will probably ride around in my case unused for years now- I won't be going back. The Legere Signature reeds are responsive, consistent, and ready to go the second you tighten the ligature. They sound wonderful- I like my sound better on the Legere than on the cane, actually. I have been using Rico Grand Concert Select reeds, and find the Strength 3 Legere to be equivalent to somewhere between 2.5 and 3 on the cane reeds. I also tried a Legere Signature 2.75 and that is pretty close in strength to the Rico Grand Concert 2.5.At 6 or so times the price of the cane reeds I've been using, they're not cheap, but considering only about 1 out of every 2 or 3 of the cane reeds truly satisfied my expectations, the Legere is realistically more like 3 or even 2 times the price per usable reed. With the increased longevity that I expect, it should come out at least even, or more likely a better value on the Legere.

I have started to do some orchestra pit work and I have found that the Legere reeds work very well with larger woodwinds. The tone is good and your instrument can sit until it is needed and play well from the first note, no need to worry about the reed drying. Even with a number 2 strength, I am able to get well into altissimo on both my bass and contrabass clarinets. Same with my baritone sax. The only exception is my bassoon, the Legere sounds too "reedy" as does a synthetic on a standard B flat clarinet.

I absolutely love the Legere Signature Reeds - both for Bass Clarinet and for B flat Clarinet. First, I have asthma and the synthetic reeds eliminate the cane allergy issues for me. The reeds are smooth on the tongue and don't need prepping. They are easier to blow, thus I can equal any other non-asthmatic musician. Second, the sound/tone/timbre is equal to the traditional cane reed. Third, the price. While the price is high, two reeds will last longer than nine months - at least for me. And no more clipping, reed knives, sanding,etc.Other than peer pressure, I don't see a negative to using Legere's Signature Reeds. Make sure you make a careful purchase. Legere has Classic Cut (thicker & less responsive) & Signature Cut (thinner & more responsive). I use the #3 on Bass Clarinet, similar to a Vandoren V12 #2.5. I wish they made a 3.5. Try one.Not a share holder of Legere, just a grateful enthusiast.

吹奏楽の娘のために購入。優しい音が出るけどしっかりした音を出したい曲には向かないと言ってます。曲に合わせて普通のと使い分けています。