LyxPro XLR 3 Feet Audio Snake 4 Channel 3 Pin Multi Network Breakout for Stage and Recording Studio Female Connection, Great for Sound and Lighting Transfer

This is a fantastic piece of gear. Rock-solid build, clean signal, and zero noise even on long cable runs. The connectors lock in perfectly and feel like pro studio quality, reliable, sturdy, and worth every dollar.

This is an amazing product. Works as stated. No need for 3-4 cables. One cable is all you need. Sound quality is great

They work great and save time and space for some much unneeded cables. Ive purchased several of these.

The LyxPro 4-Channel XLR Breakout has been a solid solution for extending audio signals from FOH to the stage via an Ethernet cable. It’s worked well for my setup, but keep in mind that if you need both input and output on stage, you’ll need two pairs. Using a high-quality Ethernet cable is essential to avoid any signal loss—I used a custom CAT6 cable, connecting my Tonor microphone receiver’s XLR output to the LyxPro input. On the other end, I routed it out to the hybrid XLR/TRS port on my travel mixer’s first channel. Great performance overall, but quality cabling is key for best results!

I've purchased six of these over the last couple of months. I've used all six of the female XLR ends, and I've used only two of the male ends. In all cases I've used the version with 4 wires (fan out) instead of these stage boxes on the other end. So even though I've stockpiled 4 unused male ends, I still find these to be cost effective. I've run 150' CAT6 Shielded Twisted Pair (STP) with these with no noticeable noise or cross-talk, even when I turn up the gain on an unused channel and boost the headphone volume on my mixer. I would guess the cross-talk is at least 80dB down, and that is perfectly appropriate for all of my sound system needs. I've taken most of these apart to drill holes in the back and permanently mount them around the chancels of churches. They are well constructed inside with a good quality circuit board that connects all five connectors. To take one apart, undo the four screws on the end with the Cat6 connector and pull that end straight out so that the front panel with the 4XLRs slides out with it. Then mount the empty box and slide the connectors back in to close it up. I'm also carrying a female box end and a male fan-out end in my mobile sound system. I find it faster and much easier to run a single Cat6 cable compared to running a multi-core snake or 4 mic lines. It is very easy to carry 4 Cat6 cables of various lengths, and use the smallest one that reaches. These make my whole stage look neater.

Love these things, the weakest link is ethernet cable and how expensive lay flat variety can get. Still use these every week for the past 2 years only 1 channel failure out of 8 snake sets. Cannot complain with that survival rate given we are grinding out college bar events and recording sessions with them non stop. So a bit harder use than a studio install if ya know what I mean.

As a legal videographer, I run several mics down the table every day, and this is nice to have just two ethercon cables in my kit instead of thick XLR snakes with 1/3" thick main cable sections. My plan is to have one short ethercon cable to keep things neat on small tables, and another longer one for infrequent longer tables like boardrooms. This is less weight, less space taken up in my storage containers and looks less messy running down the table. In my use, they seem just like regular XLR snakes and pass phantom to all the mics as you'd expect/hope. I can't hear any sound differences in the audio, so don't be afraid to try them, if the cost of the boxes and cables don't scare you off. CABLE CHOICES I'VE TRIED : First of all, don't use the Toronce Seetronic 3 foot cable (B09478JC26). This didn't work with my LyxPro snake. Plus the quality control there seemed off, because the ends had different fits -- one side was normal, the other was almost impossible to get into either plug. When I did finally get it inserted, I got no audio through the snake. Already had LyxPro cables, so simple A/B testing revealed the Toronce cable just didn't work. Returned that one for the SoundTools option below. LyxPro cables - they work fine electrically, but they are stiff and more plastic than I expected. I have the blue 10 foot (B076TFPM59) and blue 30 foot (B076TG7MWQ) and both have been tested several times with my LyxPro snake. However, I'm replacing both because they retain their coiled shape when stretched out and look awful in use. I expected to love these because their XLR (B00WZQT2E2) and TRS (B071NRSM66) cables were fantastically soft and flexible and lay flat and look beautiful in use. SoundTools cables - I got the 3 foot purple (B07TCD5P6S) and it seems nice enough so far, but I haven't had a chance to test that it works right. Longer runs of that cable type would be fine, because it's soft and flexible like I wanted. Unfortunately, besides the 3 foot purple one, they only seem to have a 10 foot black cable (B07T99X1QK) available and that doesn't cover my worst-case scenario.

El producto me funciona bien, actualmente lo uso para unos receptores de micrófonos inalambricos dinamicos con cable no blindado ya que no necesito el phantom. Y funciona excelente

Me gustaron, son de buena calidad. El único detalle es que no trabajan con phantom power.

These are built very well. I have been using them with Cat6a SSTP cable to extend podium mic, DI audio, and house PA feeds, all across a single cable. Far more portable than a conventional snake. It will work just fine with unshielded cable, but you won't have a ground connection, and therefore can't pass phantom power. With shielded cable, like Cat6a SSTP, phantom works perfectly.

Me gustaron, son de buena calidad. El único detalle es que no trabajan con phantom power.

Solo hay q tener en cuenta el utilizar un cable ftp o stp con conector RJ45 CAT 6A. Ya que a través de la malla que trae el cable y q hace contacto con el conector, se encuentra y se interconectan lado a lado las tierras de los conectores XLR, sin esto tendremos un ruido hum inminente.

Not good